The curtain came down last night on the Cultural Year of Greece in China, with a performance of one of the European country's most famous and tragic plays.
Prometheus Bound by Ancient Greek dramatist Aeschylus tells the story of the famous mythological character who is punished for giving mankind numbers, horse taming, navigation, medicine and most importantly, fire.
It was a fitting end to a year in which local people have had the opportunity to become well acquainted with Hellenic culture through numerous theatrical performances, cinemas, dance, archaeological and modern art exhibitions, conference and book fair.
But this was no joyful finale. The lead character is in chains throughout before he finally exclaims: "What bitter wrongs I bear" and, amid thunder and lightning, he and the rock to which he is chained plunge into the abyss.
The play posed the question: Did Prometheus benefit mankind by sparking the development of civilization and prosperity? Or did he trap humans into seeking endless technological progress?
Last night's show by the National Theater of Greece gave the audience at the National Center for the Performing Arts a rare chance to enjoy the costumes, chorus and special atmosphere that define this genre.
"The play allows for multiple readings bearing new great questions on man's tragic fate," director Hatzakis says. "Thus our play travels through the centuries, stirring consciousness and aiming at the deepest part of readers."
Hatzakis, who studied theater in Athens, brought all his experience of ancient drama to this production. He has acted in and directed numerous classical and contemporary productions.
As the deputy artistic director of the National Theater of Greece, Hatzakis has traveled with his productions throughout Greece and Europe, as well as to Cuba and South Africa.
(China Daily September 19, 2008)
